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Norma Jean


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Redeemer Lyrics2006
O' God The Aftermath Lyrics2005
Masters Of Horror Lyrics2005
Bless The Martyr And Kiss The Child Lyrics2002
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A Grand Scene For A Color Film Lyrics
A Small Spark Vs. A Great Forest Lyrics
A Temperamental Widower Lyrics
Absentimental: Street Clam Lyrics
Bayonetwork: Vultures In Vivid Color Lyrics
Blueprints For Future Homes Lyrics
Charactarantula: Talking To You And The Intake Of Glass Lyrics
Charactarantula: Talking To You..... Lyrics
Coffinspire: Multitudes, Multitudes In The Valley Lyrics
Coffinspire: Multitudes, Multitudes In The Valley Of Decision! Lyrics
Creating Something Out Of Nothing, Only To Lyrics
Creating Something Out Of Nothing, Only To Destroy It Lyrics
Dilemmachine: Coalition, Hoax Lyrics
Disconnecktie: The Faithful Vampire Lyrics
Face: Face Lyrics
Human Face, Divine Lyrics
I Used To Hate Cell Phones But Now I Hate Car Accidents Lyrics
It Was As If The Dead Man Stood Upon The Air Lyrics
It Was As If The Dead Man Stood Upon The... Lyrics
Liarsenic: Creating A Universe Of Discourse Lyrics
Memphis Will Be Laid To Waste Lyrics
Murderotica: An Avalanche In D Minor Lyrics
No Passenger: No Parasite Lyrics
Organized Beyond Recognition Lyrics
Pretendeavor: In Reference To A Sinking Ship Lyrics
Pretty Soon, I Don't Know What, But Something Is Going To Happen Lyrics
Pretty Soon, I Don't Know What, But... Lyrics
Scientifiction Lyrics
Scientifiction: I. A Clot Of Tragedy Lyrics
Scientifiction: Ii. A Swarm Of Dedication Lyrics
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Norma Jean Biography

Not to be confused with either the late-'70s disco diva (who sang with Chic in 1977 before going solo and having a hit with 1978's "Saturday") or the country singer (who had some hits in the '60s), this Norma Jean is a Christian alternative metal/metalcore band that used to go by the name Luti-Kriss. At first, Norma Jean went with a rap-metal approach -- in reviews, the former Luti-Kriss was often described as the Christian equivalent of Limp Bizkit, Korn, (hed) p.e., Methods of Mayhem, or Rage Against the Machine. But as the band evolved, Norma Jean got away from rap-metal and became even heavier. The bandmembers heard on 2002's Bless the Martyr and Kiss the Child don't believe in subtlety any more than they believe in taking prisoners; they do, however, believe in having a very harsh, punishing sound and beating listeners into obedience (musically, not literally -- they're a Christian band, after all). And while those who don't care for metalcore's harshness are unlikely to become Norma Jean converts, the Southern band has enjoyed a small but enthusiastic cult following in the alterna-metal underground (where they have appealed to both Christian and non-Christian headbangers).br /br /Norma Jean was formed in Douglasville, GA (a suburb of Atlanta), in 1997. In the early 2000s, the band recorded two CDs as Luti-Kriss. The first was the EP 5 (which came out on the Pluto label), and that disc was followed by the full-length album Throwing Myself, which came out on the Seattle-based Solid State label (a subsidiary of Tooth and Nail Records) in 2001. After that album, Luti-Kriss changed its name to Norma Jean because some people were confusing the band with the controversial rapper Ludacris -- who, coincidentally, is also from the Atlanta area. Ludacris is one of the top rappers in the Dirty South school of hip-hop, and he is known for his explicit lyrics (which have been lambasted by conservative commentator Bill O'Reilly, host of Fox News' The O'Reilly Factor). Released by Solid State in 2002, Bless the Martyr and Kiss the Child was the former Luti-Kriss' first album as Norma Jean. It was also the band's heaviest, most brutal effort to date. While Norma Jean's first recordings inspired comparisons to Limp Bizkit, Korn, (hed) p.e., and Methods of Mayhem, Bless the Martyr and Kiss the Child was often compared to Hatebreed. Isis and Mastodon producer Matt Bayles was in charge of the fierce O God, the Aftermath (2005) while Korn and Limp Bizkit producer Ross Robinson helmed the epic Redeemer (2006). ~ Alex Henderson, All Music Guide

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